archive - issue 20

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  • A vision of nothing

    By Ross Fleming
    I am oddly contentjust riding round insmall circles vocalisingvague unwords at myselfmy fairy wheels semireliably affixed by mysometimes present fatherand the bullies all offelsewhere
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    • WRITING
  • The work series Aesthetics of Security derives from a longer stay in Johannesburg, South Africa. The city has still one of the highest crime
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    • AUDIOVISUAL
  • Chicken

    By Karen Jennings
    That was where we saw the chicken being eaten by another. It had been hit by a car, that first one. The second, coming
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    • POETRY
  • Cosmo's Return

    By Frank Meintjies
    Cosmo was released from prison after three years. Talent, called such because he was a former soccer player of great renown, met him for
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    • WRITING
  • I have discovered I prefer to walk with it tucked safely beneath my descending aorta – to me, it is the last bit of comfort
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    • WRITING
  • Escaping the Grid

    By Martin Gantman
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    • AUDIOVISUAL
  • Happiness

    By fabio sassi
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    • AUDIOVISUAL
  • How Are You Brother? Amen.

    By Mapule Mohulatsi
    How Are You Brother? Amen. It was 4p.m when the yellow van arrived, and I was glad. The Sunday breeze was slightly tinged with
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    • WRITING
  • If one were to look

    By Sheikha A.
    If one were to look backon how the present resulted,there would be a track of wheelson the throat of kindness. Forthe lump that shrivelled
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    • WRITING
  • The future of Africa does not belong to obsessions with power and sloganeering like “Down with the West, down with the detractors, down with
    Read More
    • WRITING
  •  “dubula lenja!”splattering all over the lens, SABC news crew left bewildered, his words were so violent that they hurt delivered with such a ferocity
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    • WRITING
  • Pepi's Awakening

    By Ahmed Patel
    When Pepi awoke from what she thought was a short nap, she was surprised to see what appeared to be a thick layer of
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    • WRITING
  • Peripheral

    By Jo-Ann Bekker
    She pays attention but she doesn’t see. She has an astigmatism her contact lenses don’t correct. She can’t use her camera properly, can’t see
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    • WRITING
  • Sawubona

    By Sihle Ntuli
    literally translated to mean ‘i see you’   following with the eye  the stream filling mind with water  with this in mind as a
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    • WRITING
  • Soentjie's Song

    By Denise Y. Fielding
    1 The drought was grievous.   It clung to men’s hearts and hung from their faces.   Silence lay heavy.   No chirp of crickets.   No bird
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    • WRITING
  • 1 Charity remains the most violent And lasting Form of colonialism.   2 No gift comes without A future request.   3 When people
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    • WRITING
  • One – She wore her nakedness too well, it scared me. Two – Her breasts were a monument; a single one covered my universe whole - it
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    • WRITING
  • The Art of Aldous

    By Lumumba Mthembu
    Fool? Nutter? Brucker? Thus I have been christened. It will have to do; it might as well have been any other way. However, a
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    • WRITING
  • Winner of the Deon Hofmeyr creative writing prize1. If there’s one thing I hate most it’s being interrupted mid-beer. I’m sitting outside at MaBliksem’s
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    • WRITING
  • An elaborate classical Roman arch frames Raphael's School of Athens (1509-1510), behind which three more arches advance towards a vanishing point; focusing the viewer's
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    • WRITING
  • Watching the Sky

    By Karen Fitzgerald
    Vision is a wide-reaching concept. With this piece, I'm merging the physical/literal idea of vision, (as in seeing) with the idea of en-visioning. Watching
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    • AUDIOVISUAL
Friday, 13 September 2013 20:33

stiff

By 
getting lucky getting lucky
and it's my seventh birthday and I've just come in
 from the swimming pool at grandma's house playing
 marco polo and keep the kettle boiling with my classmates
 and it's a gorgeous african deep spring day and the sun is
 shining on my cake and there is a gentle breeze blowing in off
 the veldt and onto my forehead like a caress and I become wonderfully 
 stiff which is my  secret when I'm really pleased this happens
 merely the spontaneous tribute of a child whose
 corpus spongiosum dilates when he goes into the other world and
 as adults do there's a ripple of prurient stifled embarrassment
 but I am Quite oblivious and merrily blow out all seven candles and
 taste the fruitcake and savour the sweet sweet aromatic marzipan and
 my eyes rest affectionately on the plastic Baloo the Bear and make
 a wish that nxolo and the matiwanes will win the rhodesian sweepstakes and
 the other kids are out playing on the lawn there is a patch of sunlight
 that warms the couch so I find myself walking still gloriously erect
 over to the soft suede and it's so cosy there that I assume the
 foetal position and move my tanned brown little bare feet
 - I went everywhere barefoot in those days -
 into the warmth and I think back over my special day
 and the adults avert their eyes they cannot look upon such sin and
 the oblique comments fly sharply but I am unwounded and quietly
 joyful and probably mildly autistic and certainly slightly eccentric and
 hey taboo is an idea I will one day learn the true weight of
 but for today I'm just glad to have finally reached seven
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Ross Fleming

Ross Ian Fleming devotes his days to testing Telecoms software, satisfying his wife’s need for fast food, and educating his three kids. At night, however, he dreams of Poetry. He has written six small volumes of poems, all available on Amazon Kindle

Although occasionally inhabiting an imaginary land beyond description, in reality he lives in Cape Town, South Africa, the next best thing in the chain of being.

He has published work in Itch and New Coin and has won 3 online writing competitions at the SA Writers College over the past 10 years. Also see Slipnet for more.

Website: lemmingpoetry.blogspot.com/