archive - issue 20

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  • A vision of nothing

    By Ross Fleming
    I am oddly contentjust riding round insmall circles vocalisingvague unwords at myselfmy fairy wheels semireliably affixed by mysometimes present fatherand the bullies all offelsewhere
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    • WRITING
  • The work series Aesthetics of Security derives from a longer stay in Johannesburg, South Africa. The city has still one of the highest crime
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    • AUDIOVISUAL
  • Chicken

    By Karen Jennings
    That was where we saw the chicken being eaten by another. It had been hit by a car, that first one. The second, coming
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    • POETRY
  • Cosmo's Return

    By Frank Meintjies
    Cosmo was released from prison after three years. Talent, called such because he was a former soccer player of great renown, met him for
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    • WRITING
  • I have discovered I prefer to walk with it tucked safely beneath my descending aorta – to me, it is the last bit of comfort
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    • WRITING
  • Escaping the Grid

    By Martin Gantman
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    • AUDIOVISUAL
  • Happiness

    By fabio sassi
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    • AUDIOVISUAL
  • How Are You Brother? Amen.

    By Mapule Mohulatsi
    How Are You Brother? Amen. It was 4p.m when the yellow van arrived, and I was glad. The Sunday breeze was slightly tinged with
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    • WRITING
  • If one were to look

    By Sheikha A.
    If one were to look backon how the present resulted,there would be a track of wheelson the throat of kindness. Forthe lump that shrivelled
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    • WRITING
  • The future of Africa does not belong to obsessions with power and sloganeering like “Down with the West, down with the detractors, down with
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    • WRITING
  •  “dubula lenja!”splattering all over the lens, SABC news crew left bewildered, his words were so violent that they hurt delivered with such a ferocity
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    • WRITING
  • Pepi's Awakening

    By Ahmed Patel
    When Pepi awoke from what she thought was a short nap, she was surprised to see what appeared to be a thick layer of
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    • WRITING
  • Peripheral

    By Jo-Ann Bekker
    She pays attention but she doesn’t see. She has an astigmatism her contact lenses don’t correct. She can’t use her camera properly, can’t see
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    • WRITING
  • Sawubona

    By Sihle Ntuli
    literally translated to mean ‘i see you’   following with the eye  the stream filling mind with water  with this in mind as a
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    • WRITING
  • Soentjie's Song

    By Denise Y. Fielding
    1 The drought was grievous.   It clung to men’s hearts and hung from their faces.   Silence lay heavy.   No chirp of crickets.   No bird
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    • WRITING
  • 1 Charity remains the most violent And lasting Form of colonialism.   2 No gift comes without A future request.   3 When people
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    • WRITING
  • One – She wore her nakedness too well, it scared me. Two – Her breasts were a monument; a single one covered my universe whole - it
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    • WRITING
  • The Art of Aldous

    By Lumumba Mthembu
    Fool? Nutter? Brucker? Thus I have been christened. It will have to do; it might as well have been any other way. However, a
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    • WRITING
  • Winner of the Deon Hofmeyr creative writing prize1. If there’s one thing I hate most it’s being interrupted mid-beer. I’m sitting outside at MaBliksem’s
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    • WRITING
  • An elaborate classical Roman arch frames Raphael's School of Athens (1509-1510), behind which three more arches advance towards a vanishing point; focusing the viewer's
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    • WRITING
  • Watching the Sky

    By Karen Fitzgerald
    Vision is a wide-reaching concept. With this piece, I'm merging the physical/literal idea of vision, (as in seeing) with the idea of en-visioning. Watching
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    • AUDIOVISUAL
Friday, 24 February 2017 07:52

Watching the Sky

By 
Watching the Sky, 15" diameter, oil with 23k gold on panel. Watching the Sky, 15" diameter, oil with 23k gold on panel. the Artist
Vision is a wide-reaching concept. With this piece, I'm merging the physical/literal idea of vision, (as in seeing) with the idea of en-visioning. Watching clouds crossing the sky provides for a quiet and dynamic witnessing of change. Seeing the very essence of change, as the sky and clouds coalesce, separate, bloom, plume and scatter, situates us within an active metaphor for the energy dynamics within our world. We have a vision of this always changing place while we envision it. 

I've used a 23k gold ground to suggest that what we are seeing in the painting is not just of this world, but also of the meta-physical world.  Paint is physical stuff that gets frozen into place when we paint. I hope that I've used this stuff in a way to suggest the dynamic quality of our skies; to envision the change apparent when we look up. 


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