archive - issue 4

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    By MJ Turpin
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  • Apartment / Containers

    By Vincent Bezuidenhout
    These diptychs are the start of a series of images I have been working on regarding the visual landscape we choose to surround ourselves
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  • Collage

    By Claudio Parentela
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  • Drag and Snap

    By Leigh-Anne Niehaus
    This series is inspired by the childhood game of "snapdragon", which allows for simplistic and delightful decision-making through random selections of colour and number.
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  • Human/Nature

    By Lydia Anne McCarthy
    This series explores moments between nature and human beings that are at once idealistic and unsettling. Each picture is an independent narrative, but placed
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  • p u n c t u a t i o n

    By Ula Einstein
    Einstein works with a diverse range of media, including drawings and installation with fire, thread, and blades. The series of drawings and installations with
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  • Pretty Babies

    By Peregrine Honig
    With the premise that "/ " presents what is IN and what is OUT, the "Pretty Babies" series explores the fashion industry's well-published and syndicated DOs
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  • River Bank

    By Mario Sughi
    The symbol / is intended initially as a symbol of division. A real or unreal line divides the girl from the water, the girl from
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  • Seasaw

    By Sol Kjøk
    Here, the motif is conceived of as a seesaw (the typo in the title is intended, as this drawing is part of a series
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  • Series Seven Up

    By Noel Fignier
    Text by João Branco Kyron, HipnóticaThe collision is imminent and in the fraction of time left, the eyes shut and the vision is superbly
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  • A battle over samoosas between the snobbish Cinderella and a homeless electrician is mediated by Cinderella's boyfriend JJ. The samoosa battle is conflated with
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  • Untitled

    By Wilhelm Saayman
    This series of images, made using pen and ink, photographs and Photoshop, explore alternate/dream realities.
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  • Let's go there

    By Leigh Le Roux
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  • The space between.

    By Mehita Iqani
    It's a handy little line, the one that we use to make our options known. Either/Or. Paper and ink or binary code? Its clichéd,
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  • /

    By Ruth Barker
    On the QWERTY layout of my computer keyboard, the symbol / appears beside the questioning symbol ?. They are represented together on the same key, and
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  • I returned home after my first year in college to discover my younger sister had turned gorgeous. This was a disappointment, but not an
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  • Forward! Slash!

    By Travis Lyle
    You think you're a forward-thinking kinda person, do you? Lemme be the one to break it to you, sunshine – you're as lame as the
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  • Letter to the Editor

    By Elan Gamaker
    Dear Sir/Madam I should like strenuously to object to the subject matter ("/") of your current issue. It must first be mentioned, however, that it
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  • Butterfly

    By Adriana de Barros
    The pupa, a silk wrap of emotionsIsolated, within breathing, wanting to bethe intense pronoun of selfIt is silly to be one's own pronounShe giggles
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  • Evidence of Life

    By Tamlyn Martin
    Below is an extract from a series of 11 poems created in parallel with visual artworks. 5. Memories laced with visceral realityFlooding herThe gentle
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  • Immigrants

    By Stanley Onjezani Kenani
    you want to livenothing else.you leaveto liveyou swimor like fresh sardinesyou are packedin boatsyou leaveto live.  you leavegold in the belly of Africaoil in
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  • In Between

    By Tania van Schalkwyk
    Raised in an Arabian land of heat, fire and temper,sometimes the calm of England clamps downlike damp in a bathroom with no windowand a
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  • Or: a line drawing

    By Gabeba Baderoon
    Pencil and nothing. Her face turned almost entirely away. Forehead, cheekbone,jaw,the bun low in her neck,shoulderand down,the long linejust enoughthen left alone.
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  • Scissor

    By Charlotte Gait
    There was a time when you and I were connected by iron, acid, vitamin and blood. Where every mouthful I took was with the
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  • Un Hombre Fuerte

    By Tamo Vonarim
    Sun.star.kid: Written these words are, at times of a subconscious flow – whether they are mine, I don't know. All I know is that I
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  • Unbroken Awareness

    By TENDAI MWANAKA
    My life is now a floating shellI am a vessel on that river.The storm, the ship, the sea,Whose shores we lost in crossing.  I
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  • Untitled

    By Aryan Kaganof
    /At R550 rand I thought I'd rather die/ My mother: can I trust this woman?/ I thought the Romans were coming, dinkum/ …and always
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  • PATCH

    By Sean Hampton-Cole
    Keys. John speaking. 'Lo?Good morning. May I speak to Bob Mitchell please?Bob in Bonds?I'm not really sure. I'm trying to...You want extension 125. This
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  • Wayne Porter, freelance journalist, donned his anthropologist's birthday suit and hit the bowling alley. Bar the bowlers hat tipped gently off centre, the man
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  • The Incised Wound

    By Joanne Hichens
    "Please, for me, Dave," I placed my hand on his, and really, no begging, just asked him nicely, "Lay off the booze tonight." Whether
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  • He had been driving for hours through that unstable, somnambulist night when he fell asleep at the wheel. He awoke with a start and
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Sunday, 06 May 2012 02:00

The Curious Nomad

By  Woodman Maphalala
 
When I meet up with Itani Thalefi, who prefers to go by the pseudonym Grae Matta (or simply Grae), the air is filled with the sound of music as he sits strumming away at his acoustic guitar. He's wrapping up a practice session with some of his fellow artists. It's been quite the mission to get myself squeezed into his already full schedule, which has been progressively filling up as the year unravels. "I have a meeting with an artist management company later," he informs me; time is tight for this busy man. But here on this sunny Thursday morning he'd made the time and I was able to exchange a couple of words with this artist about his journey thus far.

Grae Matter
Grae Matter
 

"I sent my parents an email telling them that I was going to be an artist," he tells me. "I wanted to take a year off to focus on that." After graduating from university he asked himself, what next? He had his degree but not a cent to his name. As chance would have it, along came a poetry slam competition: TEWOP (The Elite Wing of Poets). He began performing, attending workshops and rehearsing: moulding his craft. He was in his element and it wasn't long before he was being approached to perform in other artists' plays and short films, and invited to plays himself.

"Everything around me," Grae responds, when I ask what inspires him. "I try my best to remain aware of self and the spaces I occupy as a person. The stories being told around me, from conversations with friends, to literature or a movie even a concept from a text book."

Grae began writing at the age of twelve. Too shy to talk to girls, poetry became a means of getting his feelings out. Being creative has always been a part of his life, he tells me - so much so that he had to repeat his second year of university because he'd been too busy in recording studios. "Back then poetry was just a hobby," he says calmly. He never once thought that his performances and poetic work could become a source of income.

He does not have a particular preference towards the kind of work he produces, stating that he wishes to be a "jack of all trades, yet master of none". This leads me press him: how would he describes himself as an artist? "Very eclectic, very worldly, 'cause it's all interconnected. I want to push myself beyond my actual capacity and experiment with different genres of music from jazz to indigenous African music."

Grae is also a singer - having participated in choirs from grade four through to his matric year. At varsity he taught himself to play the guitar and he is currently learning the bass guitar.

I ask him whether the description of ITCH as "South African rooted and internationally relevant" resonates with him. Grae responds, "I believe that our stories, which are considered 'South African' or derived from a South African context are in fact universal. Everyone experiences fear, love, sadness and joy - although perhaps the languages and ways in which we articulate them are different."

Having majored Psychology and Sociology his work is concerned with personal and universal struggles, exploring concepts such as God, rape and child soldiers. "We live in South Africa, but we know very little about the rest of the continent and seem to know more about European and American trends neglecting our own stuff"

So I wonder, does Grae feel that South Africa supports the arts adequately? He responds with cautious optimism, "To some degree both yes and no. The ability to access to the platforms and spaces for young people to learn art (whatever medium) is sparse. Nor are arts given any special attention in schools, particularly in the townships. However - that is not to say that greater improvements in both areas aren't being made by lone individuals, companies and arts collectives."

He talks about his poetry and two pieces that come to his mind on this topic. One is a critique of the 11 official languages; the other entitled Animal Farm suggests implies that political leaders are just that. Grae wants to challenge people through his work, and to invite them to think differently about themselves and the world around them.

I ask him how he measures his success? Does he need feedback from his audiences? He muses, "Measure success? Hmmm..." but then claims that as long as he achieves his artistic goals of getting himself out there, creating socially relevant work, and growing and developing as an artist using different mediums, and succeeds in staying true to his talents and who he is, he feels that he has attained some level of success.

Grae has a lot planned for the year ahead: releasing an EP and working on a short film based on his poetry. When he's not writing poetry or rehearsing with his band, he puts time into the work in progress on two plays. He also aims to finish a book titled I Cried a Puddle of Answers, which is about his experience of depression and working through it.

"You always have a choice," he tells me. "Greatness is a Choice, just as laziness is a choice. You create your destiny, you create you life". Although he still feels awestruck and overwhelmed at how much he has achieved in just four months, Grae keeps it all together and tries to remain humble by surrounding himself with inspirational people and getting the support he needs from friends and family

We're running out of time, so to wrap things up, I ask, "If you had to describe yourself in three words or a phrase what would it be?"

He takes his time considering this. I can see him playing around with words in his head. What he comes out with is appropriate, I think: The Curious Nomad.



Itani Thalefi is a poet, who goes by the name of Grae. He is best known for his involvement in the TEWOP Slam Poetry Competition where he gained recognition for his work. He completed his BA at Wits in 2011 majoring in Psychology and Sociology. He has recently had his work published in the April issue of I Speak Hip Hop Magazine. Besides being a poet and playwright, he has recently made an attempt at acting and is the lead vocalist and guitarist of a three-piece band named No Idea. ITCH intern, Woodman Maphalala meets up with Grae and probes for information about his creative process and background.
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