archive - issue 4

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    By MJ Turpin
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  • Apartment / Containers

    By Vincent Bezuidenhout
    These diptychs are the start of a series of images I have been working on regarding the visual landscape we choose to surround ourselves
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  • Collage

    By Claudio Parentela
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  • Drag and Snap

    By Leigh-Anne Niehaus
    This series is inspired by the childhood game of "snapdragon", which allows for simplistic and delightful decision-making through random selections of colour and number.
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  • Human/Nature

    By Lydia Anne McCarthy
    This series explores moments between nature and human beings that are at once idealistic and unsettling. Each picture is an independent narrative, but placed
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  • p u n c t u a t i o n

    By Ula Einstein
    Einstein works with a diverse range of media, including drawings and installation with fire, thread, and blades. The series of drawings and installations with
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  • Pretty Babies

    By Peregrine Honig
    With the premise that "/ " presents what is IN and what is OUT, the "Pretty Babies" series explores the fashion industry's well-published and syndicated DOs
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  • River Bank

    By Mario Sughi
    The symbol / is intended initially as a symbol of division. A real or unreal line divides the girl from the water, the girl from
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  • Seasaw

    By Sol Kjøk
    Here, the motif is conceived of as a seesaw (the typo in the title is intended, as this drawing is part of a series
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  • Series Seven Up

    By Noel Fignier
    Text by João Branco Kyron, HipnóticaThe collision is imminent and in the fraction of time left, the eyes shut and the vision is superbly
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  • A battle over samoosas between the snobbish Cinderella and a homeless electrician is mediated by Cinderella's boyfriend JJ. The samoosa battle is conflated with
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  • Untitled

    By Wilhelm Saayman
    This series of images, made using pen and ink, photographs and Photoshop, explore alternate/dream realities.
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  • Let's go there

    By Leigh Le Roux
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  • The space between.

    By Mehita Iqani
    It's a handy little line, the one that we use to make our options known. Either/Or. Paper and ink or binary code? Its clichéd,
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  • /

    By Ruth Barker
    On the QWERTY layout of my computer keyboard, the symbol / appears beside the questioning symbol ?. They are represented together on the same key, and
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  • I returned home after my first year in college to discover my younger sister had turned gorgeous. This was a disappointment, but not an
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  • Forward! Slash!

    By Travis Lyle
    You think you're a forward-thinking kinda person, do you? Lemme be the one to break it to you, sunshine – you're as lame as the
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  • Letter to the Editor

    By Elan Gamaker
    Dear Sir/Madam I should like strenuously to object to the subject matter ("/") of your current issue. It must first be mentioned, however, that it
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  • Butterfly

    By Adriana de Barros
    The pupa, a silk wrap of emotionsIsolated, within breathing, wanting to bethe intense pronoun of selfIt is silly to be one's own pronounShe giggles
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  • Evidence of Life

    By Tamlyn Martin
    Below is an extract from a series of 11 poems created in parallel with visual artworks. 5. Memories laced with visceral realityFlooding herThe gentle
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  • Immigrants

    By Stanley Onjezani Kenani
    you want to livenothing else.you leaveto liveyou swimor like fresh sardinesyou are packedin boatsyou leaveto live.  you leavegold in the belly of Africaoil in
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  • In Between

    By Tania van Schalkwyk
    Raised in an Arabian land of heat, fire and temper,sometimes the calm of England clamps downlike damp in a bathroom with no windowand a
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  • Or: a line drawing

    By Gabeba Baderoon
    Pencil and nothing. Her face turned almost entirely away. Forehead, cheekbone,jaw,the bun low in her neck,shoulderand down,the long linejust enoughthen left alone.
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  • Scissor

    By Charlotte Gait
    There was a time when you and I were connected by iron, acid, vitamin and blood. Where every mouthful I took was with the
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  • Un Hombre Fuerte

    By Tamo Vonarim
    Sun.star.kid: Written these words are, at times of a subconscious flow – whether they are mine, I don't know. All I know is that I
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  • Unbroken Awareness

    By TENDAI MWANAKA
    My life is now a floating shellI am a vessel on that river.The storm, the ship, the sea,Whose shores we lost in crossing.  I
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  • Untitled

    By Aryan Kaganof
    /At R550 rand I thought I'd rather die/ My mother: can I trust this woman?/ I thought the Romans were coming, dinkum/ …and always
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  • PATCH

    By Sean Hampton-Cole
    Keys. John speaking. 'Lo?Good morning. May I speak to Bob Mitchell please?Bob in Bonds?I'm not really sure. I'm trying to...You want extension 125. This
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  • Wayne Porter, freelance journalist, donned his anthropologist's birthday suit and hit the bowling alley. Bar the bowlers hat tipped gently off centre, the man
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  • The Incised Wound

    By Joanne Hichens
    "Please, for me, Dave," I placed my hand on his, and really, no begging, just asked him nicely, "Lay off the booze tonight." Whether
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  • He had been driving for hours through that unstable, somnambulist night when he fell asleep at the wheel. He awoke with a start and
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Monday, 30 April 2012 02:00

Everyday Origami

By  Genna Gardini
 
In the first of her four-part series of interviews with young South African poets, Genna Gardini speaks to Jenna Mervis about publishing her first collection and reading poems aloud in pilates class.  

Jenna Mervis
Jenna Mervis


"Women in South Africa are really finding their voice now," says Jenna Mervis, the Cape Town-based poet who released her debut collection, Woman Unfolding, in November 2011. "Our female writers are incredible and inspiring. And boy do we have subject matter in this country. There are so many stories to tell."

Telling some of these stories is a task that's kept Mervis busy for quite a while. Since reading her MA in Creative Writing at UCT, the writer has seen her short stories published in the 2007 POWA anthology, shortlisted for the prestigious Pen Studzinski award in 2009, and included in the latest Green Dragon anthology. Mervis is particularly known in the local literary scene, however, for her work as a poet, which began while she was still in school: "When I was 15, I was chosen to read my poetry at the Poetry Africa Festival in Durban," she recalls. "It was inspiring, terrifying, fun."

After many years of having poems featured in South African journals, Mervis launched her first collection, Woman Unfolding, published by Modjaji Books, in late 2011. "A friend asked me the other day if I'd researched the etymology of the word 'unfolding'," says Mervis while discussing the book's title. "In a way my collection is an embodiment of this idea of unfolding. It's a disclosure, to a certain degree, an evolution of girl into woman, daughter into wife, naïve child into independent thinker. There are veins of other themes in there: questions of belonging, of movement, of loss. Most of the poems also contain a taut balance between optimism and pessimism. It's a Libran thing, I'm afraid, all this balancing."

That balancing act seems to have taken some time to perfect. When asked how long the collection took to put together, Mervis laughs. "The short answer: 5 years. The long answer is that the ghosts of poems past lurk within its pages. Some I wrote whilst reading for my Masters five years ago. The most recent poem was added during the editing process." Modjaji Books, which has become a stalwart of women's publishing in Southern Africa since its birth in 2007, seemed like the right place to approach: "Colleen (Higgs, Modjaji's owner and publisher) embraced my collection. I posted it to her and she sent me this wonderful acceptance email. All I could think was she gets it!"

The gap between having a manuscript accepted and holding the finished book in your hands, however, can be a lengthy one. "From my experience the publishing process has many stages, a bit like the 5 stages of grief I suppose only not as morbid!" says Mervis. Those stages, according to the poet, "are

1. Euphoria (in which the poet does a naked victory dance in front of her dogs and computer)
2. Disbelief (in which the poet cannot believe it is happening and double checks her emails and phones the publisher)
3. Fear (in which the poet realises that publishing is a business and Contracts must be discussed and signed)
4. Patience (in which the poet waits for the next step)
5. Impatience (in which the poet waits for the next step)
6. Self-doubt (in which the poet has to edit the manuscript and begins to wonder if anyone will like it)
7. Thrill (in which the poet sees the cover for the first time)
8. Anxiety (in which the poet realises there must be a launch with people and there must be public speaking)
9. Relief (in which the poet realises there will be wine)
10. Depression (in which the poet experiences the post-launch Anti-Climax)
11. Nonchalance (in which the poet outwardly projects a practiced casual indifference to being a published writer)
12. Gleeful Satisfaction (the actual feeling of being published)."

The implied thirteenth stage, in which the book is released into the general public, seems to have gone well. "I find a lot of mothers are buying Woman Unfolding as a gift for their daughters," says Mervis. "I love that idea." When asked about her own mother's reaction to the collection, she admits, "I'm a terrible self-promoter and useless marketer, for some reason. But my mom is brilliant, really brilliant. She marches into bookshops, talks to owners, promotes me. She's amazing. I'm a bit of an introvert."

While she may not always be a fan of actively punting her work, Mervis is not opposed to the occasional impromptu reading: "I read my posture poem to my pilates class. We sat cross-legged on our mats at the end of class and listened to a poem. That's something isn't it? What on earth is poetry doing in a pilates class? But that's the thing - poetry should be everywhere. It is everywhere, only people don't have time or the creative space to realise it. In that sense, everyone who reads my poems realises that there's a poem in everything, from making a shopping list to a physio appointment."

When asked if she has any pressing plans to turn her latest shopping lists and physio appointments into a second collection, Mervis replies, "Yes. Of course. I've been told to call it Woman Folded and Packed Away." She pauses and then adds, "Do I need to say that I'm kidding?"

More on Jenna Mervis. Order Woman Unfolding here and find out more about Modjaji Books here.

Jenna Mervis is a poet and freelance writer living in Cape Town. Her work has been featured in several South African journals including Carapace, Green Dragon, New Contrast, New Coin and the 2009 PEN Studzinski Literary Award anthology New Writing From Africa. Born and schooled in Durban, Jenna studied Journalism at Rhodes University and obtained an MA in Creative Writing from the University of Cape Town. Her first collection of poems, Woman Unfolding, was published by Modjaji Books in 2011. 
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